Music-in-Becoming

In this article, Music-in-Becoming, I explore the integrative practices of composing music and researching its emergence. The article reports from an artistic research project on composition as lived experience. that serves raw material for my inquiry consists four pieces three overtone-skilled singers one double bass player concert Ørenslyd, all performed in Berlin October 2019. My intention is to show how takes place a phenomenological in-between composer work driven by attentive listening complementary skills activeness receptiveness. in-between, skill plays crucial role it both participatory receptive. further examine discuss methods use during exploration, influenced research. two methodological approaches are compared regarding their characteristic differences potential kinships. presumption active-receptive act at core phenomenological-hermeneutic practice. conclude seems be profoundly phenomenology, whereas not art or approach.